NOT QUITE BAROQUE

Music that breeds legacy and success.

MAESTRO RAIMONDS PAULS

“Pure instrumental music — nothing out of place. Every note is written with precision, and the result is flawless.”
Photo: jurmalasfestivals.lv

una ulme

“I closed my eyes and lived in another world, and in the end, of course, came a very pompous resolution — such power and force. And then I wished the composition would go on — more, more, and more. I wanted that culmination to last even longer.”

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The vinyl is released in a limited edition, each copy a testament that you are among those who create the rules of the game.

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TO EACH THEIR OWN EMPIRE

“Not Quite Baroque” is the debut album of classical music composer Jēkabs Tutiņš—a monumental, emotionally charged imperial manifesto, where the grandeur of the Baroque era meets the inner sovereignty of the modern individual. This is not music for everyone—it is refined, disciplined, and intolerant of superficiality. It is created for those who refuse to live in mediocrity and already know: they are meant for something more.

Inspired by the Baroque form’s ability to both astonish and command, this album is a musical structure in which each composition becomes a pillar—a load-bearing element in the listener’s inner empire. This music does not speak softly, nor does it beg to be heard—it enters the room with authority. It allows no weakness and offers no comfort—it fortifies. It is not background aesthetic, but a vibration discernible only to those who are conscious of their own worth. “Not Quite Baroque” does not adapt to the listener—it transforms them.

NQB I. COMPOSITION “PROPHECY”

The composition symbolizes the moment of awakening — that instant when it becomes clear what you are destined for and where fate is calling you. It is a vision of a path yet to unfold. At the same time, this work is the composer’s own foresight — a declaration for his time and for what is yet to come.

NQB II. COMPOSITION “CORONATION”

It is a clear act of will, the moment when you recognize your path and proclaim it as your dominion. Coronation is the culmination of challenge: you have confronted yourself, and now the time has come to fortify your empire in the eyes of the world. It is the hour when space and surroundings begin to vibrate all around, and the cosmos itself starts to play its games with you. It is the crown reached only by those who dare to rule, to claim, and to stride toward that for which they were created.

NQB III. COMPOSITION “ELITE”

The composition reveals the moment when the environment shifts and you feel a rapid surge into a new society, among like-minded equals and worthy players. Here your position within the empire begins to solidify, and around you start to orbit people, ideas, and resources that drive you toward even greater influence. It is a musical form that breathes with confidence and with a conscious belonging to those who create the rules of the game, not to those who merely follow them.

NQB IV. COMPOSITION “GLORY TO GOD”

The central pillar of the album — just as this work stands at its core, so too is God at the center of all. It is an unmistakable affirmation that no empire can exist without a divine foundation. In the language of music, it resounds both as reverence and as recognition that all power, strength, and glory come from Him. The composition is structured after the order of the Catholic Holy Mass, and its performance becomes a moment when God’s blessing descends upon the listener.

NQB V. COMPOSITION “I AM”

This composition is an unshakable declaration of self,  a vow never to abandon one’s essence, regardless of circumstance. It refuses to yield to pressure or opinion, it does not bend, it does not retreat. It stands in full awareness of worth and destiny. In the language of music, it is an act of defiance and sovereignty: you are a force with a vision of your own, and should others disapprove, it ceases to concern you.

NQB VI. COMPOSITION “CELEBRATION”

Life is to be celebrated with grandeur. This composition is a hymn to victory and the triumph of life – a moment where every note is a spark of gold in the air, and every chord a raised glass to existence itself. It is a musical toast to your triumph, your presence, and your uniqueness. Even in simply listening, it becomes the hour to raise a glass and celebrate that you have reached a summit which now belongs to you alone.

NQB VII. COMPOSITION “CODE: EMPIRE”

The final piece of the album embodies the very essence of the empire: your journey, your victory, your horizon ahead. It begins like a clear morning after battle, when the air vibrates with the scent of triumph and the sun rises over newly claimed land. Here the entire march is united – the trials, the struggles, the sweet victories, the triumph – and it resounds as an unmistakable proclamation: this is only the beginning.

IEVA ADAMSS

“Wow. Okay. Well, I think someone here is going to become rich very soon, because this soundtrack is bound to be taken to Hollywood for some blockbuster.” Photo: Pieturpunkti

MĀRIS GAILIS

“It was a pleasure to listen to. My associations immediately went to film music, to Vangelis — that emotional piece 1492. I can only congratulate, and I believe it is truly effective. Jēkabs must set himself the goal of becoming the most famous composer in the world during his lifetime — that is the only true goal.” Photo: LETA

ALBUM MANIFESTO

SYMBOLISM

The number seven permeates the order of the world and the story of humanity; it is a symbol of divine perfection. In seven days the world was created; seven notes form harmony; seven colors stretch across the heavens; seven wonders of the world reveal humanity’s ability to create the extraordinary. And seven compositions embody Jēkabs Tutiņš debut album “Not Quite Baroque”—until the very last day, when the prophecy of Revelation will be fulfilled with the seven seals (Rev. 6–8), the seven trumpets (Rev. 8–11), and the seven churches (Rev. 2–3).

Each of these seven works by J. Tutiņš is a pillar strengthening the listener’s inner architecture and leading them toward their own empire. At the album’s center, the fourth composition “Glory to God” becomes the heart of the entire structure: it symbolizes the composer’s beginnings in the church and affirms that no empire can stand without a divine foundation.

MOTTO

“To Each Their Own Empire” is the composer’s imperial manifesto, a bold architecture of sound where each of the seven pieces carries within it the idea of power, conviction, and victory. This music does not speak softly nor beg to be heard; it enters the room with authority, lifting the listener above the everyday and allowing them to see themselves in a greater story. It embodies the grandeur of the Baroque era, fused with the inner sovereignty of the modern individual, reminding us: the true empire begins within ourselves.

VISION

“Not Quite Baroque” is created as a space where the listener encounters themselves. This is not music to decorate the background; these are vibrations that give posture, sharpen thought, and ignite conviction for action. The seven compositions serve as symbolic pillars, reminding us: the empire is not to be sought elsewhere—it is born within you.

Because of this music, new talents are awakened, personal empires are proclaimed, and ever more people ground their success on the foundation of Jēkabs Tutiņš’s music.

PURPOSE

The aim of the album is not to be music for everyone, but an ally for those who are aware of their worth. It will inevitably repel those for whom it is not meant, and attract those who know the taste of victory. This music was created to strengthen; it is a vibration of discipline and power that does not entertain the listener but transforms them.

“Not Quite Baroque” is a manifestation of self-determination, authority, and the spirit of triumph.

Bishop Andris Kravalis

“Heavenly Father, we ask You to bless this music and all who will listen to it, so that Your Spirit, which brings truth, peace, and love into human hearts, may make each person better and reveal their supernatural purpose. In the name of the Father, and of the Son, and of the Holy Spirit. Amen!”
Photo: Cristian Gennari

DISCOVER THE STORY BEHIND THE RECORD

The album was recorded by an extended chamber orchestra under the direction of Artūrs Oskars Mitrevics at Latvian Radio’s First Studio, with sound engineer Modris Bērziņš. No instrument samples were used in the recording – it is an authentic, living instrumental journey across seven works.

Complementing the recorded music, the vinyl edition Not Quite Baroque and its design were created in Latvia – crafted by master hands as a singular work of art with collector’s value. The vinyl itself, pressed in a striking red-and-black marble pattern, embodies power frozen in motion, releasing itself as a wave of energy each time the music is played, elevating the listener’s vibrations. At the record’s center lies a black velvet texture, upon which the titles of the compositions are immortalized in gold embossing. They stand as seals of the album, affirmations of the meaning and place of each piece within the manifesto. Each record is housed in an anti-static black sleeve, ensuring flawless sound quality for every listening experience – both now and for generations to come.

The album cover, finished in red velvet, is crafted with a precision achievable only by master artisans. The velvet texture becomes a tactile guide – a touch that allows one to find the record without sight, serving as a permanent bond with the music and its manifesto. The cover is adorned with gold-embossed inscriptions: the album’s title, the list of works, and the composer’s manifesto – a personal message uniting the listener with the music.

From the preparation of the vinyl mass to the last golden letter, each stage has been shaped by hand and by the discipline of the craftsman. To hold this edition in one’s hands is to possess a manifesto – a driving force of one’s personal empire. Each copy is accompanied by a certificate of authenticity, attesting to its place in a strictly limited edition.

WHAT DOES THE ELITE SAY?

BUY NOW

The vinyl is released in a limited edition, each copy a testament that you are among those who create the rules of the game.

​buy​
Add to cart

ilze auzere

“I’ll put it this way — very beautiful, truly, very, very.” Photo: Festivālslampa

iveta vecmane

“What can I say — Jēkabs is very talented, supremely talented. And I really love the positivity, the hope, and the strength that run through the music.”

MEDIA REPORT:

“It all sounds good,” Maestro Raimonds Pauls on composer Tutiņš’s empire manifesto

A special atmosphere filled the “Latvijas Radio” studio when Maestro Raimonds Pauls listened to one of Jēkabs Tutiņš’s new album Not Quite Baroque compositions.
“Pure instrumental music — nothing out of place. Every note is written with precision, and the result is flawless.” said the Maestro. Tutiņš is presenting his empire manifesto to representatives of the cultural and business elite.
NEWS PORTAL: Jauns.lv

A new star in Latvia’s musical sky: Jēkabs Tutiņš and his “empire manifesto”

A new, brilliant name has lit up Latvia’s cultural landscape – composer Jēkabs Tutiņš, who yesterday, on August 28, 2025, officially unveiled his long-awaited debut album Not Quite Baroque at the historic Benjamin House. This event did not go unnoticed, as music connoisseurs and experts have already recognized its excellence. It was valued especially highly by Maestro Raimonds Pauls himself, who summed it up laconically yet convincingly: “Everything is written correctly!” This recognition, voiced as confirmation of the young composer’s talent and precision, is a significant testament to the high quality of Tutiņš work and its potential to take a prominent place in Latvia’s classical music pantheon.
NEWS PORTAL: Lente.lv

The birth of a new empire: J. Tutiņš’s inauguration at Benjamin House

Fashion designer Iveta Vecmane highlighted the emotional power: “I still feel the vibration within me – Jēkabs is very talented, super talented. I love the hope and strength in this piece of music.” Journalist and blogger Une Ulme emphasized the depth: “I was suddenly moved to tears. It was like a meditation that ended with force and power – I wanted more, more, more.” Māris Rēvalds, Chairman of the Board at Veselības centrs 4, remarked: “Incredible, but the piece ended too quickly – this was music that stirs emotions and thoughts. I wanted more.” Meanwhile, entrepreneur Jānis Dambergs noted: “Surprisingly dynamic and surprisingly good! I didn’t know classical music was music for active people – full of change and forward momentum.”

NEWS PORTAL: LA.lv

ADDITIONAL REVIEWS OF THE ALBUM:

Nellija Ņ. 

"So much energy-filled music, a pleasure for the soul to listen to. Every piece is very enjoyable and powerful. It should be listened to like a morning mantra!"

Mārtiņš K. 

"Very beautiful and enjoyable. Truly like a real journey seen from a bird’s-eye view."

Markuss L. 

"It demands attention and rewards with an incredible emotional experience. While listening to this vinyl, I felt everything — from prophetic power to triumphant satisfaction.
The sound is classically elegant and at the same time unexpectedly modern. That ‘heavenly’ feeling I experienced comes from perfectly crafted melodic lines and their ability to touch the deepest strings of the soul. This music inspires, gives strength, and reminds you of your personal greatness. An outstanding debut album that has already become one of the gems of my collection."